Terracotta

Terracotta in Kashmir is among the region’s oldest craft traditions, with earliest records from the Neolithic site of Burzahom (c. 3000–1500 BCE). Over time, the craft adapted to changing cultural context and evolved from simple pottery into religious, decorative and architectural forms. Ranging from Buddhist moulded tiles to everyday utensils and sculptures, these works reflect both handcraft and mould-based production, valued for their texture and subtle handmade variations.

Storage Jars

Storage Jars

(lo-pun / ma-tth) لوپُن / مَٹھ

20th century Origin: Kashmir Material: Terracotta This traditional Matth is a large earthenware storage vessel used in Kashmiri households for preserving rice, grains, and other foodstuffs through the long winter months. Hand-built from terracotta and fired without elaborate glazing, these robust containers were valued for their durability, affordability, and ability to protect stored provisions from moisture and pests. Larger examples could reach substantial sizes and formed an essential part of household food storage in both rural and urban Kashmir. Characterized by their broad bodies, narrow mouths, and applied horizontal bands, Matth vessels reflect a long-standing tradition of utilitarian pottery adapted to the climatic demands of the Valley. Beyond their practical function, they represent an important aspect of Kashmiri domestic life and traditional terracotta craftsmanship. Private collection: Trām and Beyond

Not for Sale
Ritual Oil Lamp

Ritual Oil Lamp

(žōng) ژونٛگ

20th Century Origin: Kashmir Material: Terracotta This rare and fascinating artifact is a traditional Kashmiri multi-wick terracotta ritual oil lamp, commonly known in regional material culture as a 'Chongti' or 'Choongth'. Designed with remarkable geometric precision, the circular lamp features eleven distinct, teardrop-shaped oil reservoirs (diyas) arranged symmetrically along its outer rim, radiating outward from a central dome-shaped handle. The profile view highlights its unique architectural design, showing a tapered pedestal base and small, hanging clay teardrop pendants suspended from wire loops beneath each wick station. These delicate pendants add both a rhythmic visual texture and an element of movement to the rustic piece. Deep soot deposits and charring within the individual bowls testify to its extensive historical use in evening rituals, domestic illumination, or festive occasions. Representing a beautiful merger of utilitarian pottery and spiritual symbolism, this piece highlights the earthy, grounded side of historical Kashmiri craftsmanship. Private collection: Trām and Beyond

Not for Sale